Scarlett, you only graduated this year from the Glasgow School of Art, but have already received two awards since then.
Yes its pretty great! I’ve won the Guild of Enamelers new graduate bursary and have come joint first place for the British Society of Enamelers graduate bursary also. The enamelling world has been very welcoming and supportive. Looking forward to buying myself a kiln!
Your enamel jewellery emanates a lot of vibrant energy and movement, but you are not using traditional enamel. How do you achieve those lovely silky orange, blue and yellow tones?
I’ve mainly used industrial (or wet process) enamel. I’ve found the colours to be suitably bright and vibrant and it allowed me to experiment with enamelling on to steel. My technique is to layer different shades of colour and then rub back, revealing a photo-etched design, multiple shades of colour and achieving a silky smooth matte finish.
You are also experimenting with photography and film. How does the visual aspect influence your work?
All of my work is based on research into experimental film. I make visual feedback loops, which is the iteration that occurs when a camera is pointed at it’s own monitor. It’s a form of Chaos which, in the digital age, reveals itself on screen as undulating and complex pattern and form. I project these films on to the body and design my jewellery from there, always considering movement pattern and of course colour.
Scarlett’s work can be viewed and bought at the Designer Jewellers Group exhibition at the Barbican Centre until 1st January 2013.